Capricorn 26° (January 16)

Open Letter to a Boston Arts and Entertainment Editor or Journalist

Picking up the thread. I’ll be in Boston on Monday if you can possibly meet up.

Otherwise I’m not back until March 19, also a Monday.

I will likely have other times in town. I just know these both for sure now.

The next show in the series is April 5, Joseph Keckler. and then Fauxnique (Monique Jenkinson) May 17.

The Lady Bunny shows (we added a second one) sold out. Funny how that is.

Taking nothing away from Bunny, as her show elevated her drag-act to performance level which was super interesting…

But Joseph and Monique for instance, whom Boston audiences haven’t heard of, are true Afterglow/Glow material…so interesting and innovative.

I thought it might interesting to highlight these lesser known artist in a piece to illustrate how Afterglow really is on cutting edge (hate that expression but you know what I mean)

They kind of get to the essence of what we’re all about.

Meanwhile artists we’ve produced at Afterglow as unknowns like Bridget Everett, Cole Escola, John Early, Drew Droege, Martha Graham Cracker are now all in movies, on The Tonight Show, have primetime television series or are playing Vegas LOL

I would venture to say that there are at least 30 artists we’ve produced in Ptown and Cambridge whom 99% of audiences first heard of via Glow world.

But the nature of our particular beast is that we have to keep bringing those emerging artists…..we can only occasionally bring back those who’ve already “made it” since they appeared with us.

So it’s all about trusting the CURATION of the best artists you’ve never heard of. And for audiences to show up and take our word for it. Given our track record they should…..

that type of thing……?

Typos happen—I don’t have time or an intern to edit.*
Copyright 2017 Wheel Atelier Inc. All Rights Reserved.
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Capricorn 25° (January 15)

All I keep telling myself is that this will soon be over. Burping smoke. And I will be aligned in my day with enough time and space to make the proper, designated posts and observations. My one goal now is, by January 2019, to have shifted the base of the international consultancy to Paris so to align with our fashion clients whom, we know, have to be in that great city at least twice a year. Otherwise it’s Cape Cod and Boston, and the occasional New York City and Los Angeles. Done. So easy. A nice two bedroom in Paris where we can meet our clients and host the odd guest. A place to gift to friends, especially those, who have likewise gifted us over the years. A little bit of Parisian heaven but a great big chunk of living. So easy to get to Edinburgh and London and Zurich and Geneva and Marseille to visit friends. A chance to explore all of that beautiful country which has always been a spiritual home. An announcement to the world: Starsky + Cox have set up shop in Paris and Provincetown, splitting their time. What a glorious gift to myself. I dare say I can afford it now, in some form, even on what little bit I have put away. I have never been a materialist, much to my own chagrin at times. I traded that for freedom. But what good is freedom unless you take it.

I was meditating on the six of wands in the Tarot which begs the question: Am I prepared for the responsibility this public success and exposure implies? I have to say I think I am. If not a bit over ready. In my mind I know I am, but, okay Tarot, I get it: am I ready in spirit. Am I equal to my dreams? Is that what you’re asking me? Fuck you. Who are you to ask me anything, Tarot? It is me that does the asking. You got that? But you’re right.

Feeling this distinct difference between my mind, which races ahead, creating a disconnect, and my spirit which instead begs for nurture and doesn’t want to go anywhere it till it gets it, I demur…demurr?…it’s not demure. Anyway, I beg off non-chalantly, embracing my confidence issues. But this is part of getting confidence back. This is part of the reclamation. I know there is no such thing as catching up in life, just like there is no such thing as getting behind; but I am apparently engaged in both dynamics simultaneously, such that it is enough to make any Mage’s head spin.

Typos happen—I don’t have time or an intern to edit.*
Copyright 2017 Wheel Atelier Inc. All Rights Reserved.
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Capricorn 24° (January 14) 98

Dear So and So

Hello I’m Quinn Cox.

I’m founder, with John Cameron Mitchell, and director of the not-for-profit Afterglow Festival in Provincetown, which takes stage each September. Entering its eighth year, Afterglow’s mission has been to preserve and champion Provincetown’s birthright as the birth place of modern American theater. Something of a spiritual “Save Provincetown” campaign in the face of gross gentrification, it is our aim not only reclaim important stage space for experimenting, evolving and emerging artists, innovative talents changing the face of theater and performance as we know it, but to help develop and proliferate important new works and acts being premiered or progressed in Provincetown.

Playing host to artists around the country and abroad, Afterglow has strengthened Provincetown’s exsiting spiritual bonds with both the Greenwich Village, NYC and Cambridge, MA theater and performance communities via partnerships, repectively, with Joe’s Pub at the Public Theater and the Oberon stage at the American Repertory Theater.

In it’s third season, Afterglow’s critically acclaimed collaborative Glowberon series with the American Repertory Theater, brings artists and their works, primarily originated at Afterglow, to the Oberon stage, from September to May. Glowberon has energized subscribers to A.R.T. and audiences from all around the Boston metropolitan region and garnered great praise from the Boston Globe, Boston Herald and PBS-WGBH’s Open Studio, to name a few. We also staged a small Glow Festival at Oberon in summer, 2017.

Our non-profit enterprise is now in a place where I am reaching out to other select theaters and arts arenas in and around New England that might likewise be interested in collaborating with Afterglow to produce and present our various artists, whether as a series or as a loose collection of solo-act performances over the course of the year or during certain seasons. As we present many emerging artists, many of whom have gone on to great success and wider even more mainstream notoriety—Bridget Everett, Justin Vivian Bond, John Early, Taylor Mac, Our Lady J, Drew Droege to name several—it is Afterglow/Glow’s curation that New England audiences have come to trust as we carefully nurture our press profile, audience build efforts, promotion and social media.

Our goal in partnering with like-minded venues throughout the region is at leas three-fold: To provide the surpassingly talented artists, working in various forms all under the heading of performance a wider platform to reach audiences in places they otherwise wouldn’t reach; to provide the increasingly savvy and eager audiences in these key places the kind of surpassingly entertaining and transformative perfomances these artists deliver; and to establish new spiritual homes for these artists with willing venues who might thrill to present works by artists and acts on the edge of stage craft, theater and performance in these various forms.

Typos happen—I don’t have time or an intern to edit.*
Copyright 2017 Wheel Atelier Inc. All Rights Reserved.
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Capricorn 23° (January 13)

Sometimes when I have a lot of writing to do I like to double duty (especially as I’m playing catch-up after a long drama-if-not-trauma induced hiatus). Here is a letter I’m drafting for returning Sponsors to my Afterglow Fest.

To Whom It May Concern

With just a few weeks of winter to go, I hope this finds you happy and optimistic. It’s been a time of daily societal drama, yet I can’t help feeling that some righteous good is being galvanized in the process, and sometime ringer, we’re being put through. So we persevere and pursue the realization of our own good intentions as best we can.

Careful not to itemize all we’ve done under the Afterglow aegis, I want to keep this letter short and just spotlight a few things. We are now entering our eighth year of festival. Last spring we very unexpectedly lost our venue of the previous five years which sent us scrambling rather late in the season. A blessing in disguise: as our original first choice, the Art House in Provincetown, with its two stages, cleared their schedule for Afterglow week, welcoming us, and we enjoyed our best attended shows ever in our history. We return to the Art House, September 20-16, 2018.

The third year of our collaborative series with the American Repertory Theater at their Oberon stage in Cambridge (for which, thankfully, we needn’t fundraise) has gained ever more steam. We credit the uptick in our Provincetown, audiences, actually, with the increased press and promotion and awareness generated by this partnership, as many festival goers this year were Boston and Cambridge folk. Our collaboration with A.R.T. is modeled on our pre-existing relationship with Joe’s Pub at the Public Theater in New York City where Afterglow has produced both solo works and promotional variety shows.

We staged the first mini Glow festival, too, at Oberon in Summer 2017 which scored us high-profile features in the Boston Globe and coveted coverage on the PBS/WGBH program Open Studio, which mainly and happily focused on our mission and the Afterglow Festival in Provincetown, which is at its core. Moving forward, Glow will become “a moveable fest”, funded (fingers crossed) by state and city grants, allowing us to move and develop work, originated at Afterglow, throughout the region.

That’s enough news. Now, the reasoning for this letter coming to you earlier than typical in the new year: The highly function Art House venue works further in advance than our previous host and, as things go, is a pricier enterprise for us, overall, but so worth it. Though we landed safely and softly into the arms of the Art House, being left scrambling last spring hit home the fact that we need to begin our planning earlier each year. That and the fact that too many would-be sponsors have told us that, by the time we approach them, they are tapped out from other commitments.

So, here I come to you with my not-so-metaphorical begging bowl a tad earlier in 2018 to solicit support this year. We realize that our supporters might still prefer to cut actual checks closer to festival and that is still absolutely a-okay with Afterglow; what we are simply asking for now is a pledge to do so for x-amount so that we can better put our cart behind the horse in planning the programming and to pay for all that is entailed in staging the Afterglow Festival, which you’ve helped build into a formidable and important name in the non-profit arts world.

I will save my rant about how Afterglow honors Provincetown’s birthright as the birthplace of modern American theater, being a spritual “Save Provincetown” compaign, of sorts; or how we have preserved sacred stage space (now considered another form of valuable real estate here) for the pure creation and expression by the most influential and progressive performing artists on the planet today, whom you first saw or heard of at Afterglow (though many have moved on to wider exposure and success); or how we culturally and commercially enrich our community; or why, with Provincetown becoming the most sought-after, gentrified and increasingly exclusive place to live or visit, the preservation of Provincetown’s priceless theatrical and performance heritage can only be achieved by such a non-profit endeavor. Or will I?

Enough soapboxing. Please let us know if we can count on your support again this year and, if so, at what level you’d like to participate. With that knowledge we will be empowered to plan and pay all necessary deposits and so forth to pave the way for The Eight Annual Afterglow Festival. I like numbers as you might know; and I really thought of year seven as the completion of a cycle, the naissance and early childhood of our enterprise. Eight, the shape of which is called the lemniscate (a symbol of Infinity), does inspire provide a sense of solid footing and something of a forever feeling. We have made great inroads thus far and I can feel that proverbial wind beneath the wings of this non-profit enterprise in many ways. I believe we have together created something crucial and enduring. Touch wood.

Sincerely yours,

Typos happen—I don’t have time or an intern to edit.*
Copyright 2017 Wheel Atelier Inc. All Rights Reserved.
Get your HAUTE ASTROLOGY 2018 Weekly Horoscope ebooks by Starsky + Cox

Capricorn 22° (January 12)

I’m thinking around this time that I want to start sliding into home. I know I’m working hard but am overwhelmed, as evidenced by a need to go the Cook Shop for some kind of adventure. If all I had to do all day was write it might be fun. I am actually longing for that kind of time ahead. I don’t mind it being another year away to be honest.

It’s been so good to feel that my pasts regret are buried deep in the cemetary of get over yourself. Life really is so much simpler than we make it. And it’s more beautiful. And we have to be flexible and spread things out for sure. I have make an effort to be more than abstemious when it comes to all forms of self indulgence.

 At this point I’m still processing the trip which really just happened. I have to say I really loved Miami and would totally take myself there next time someone wants some time away from me. It could be quite the blast me thinks. But I generally want more of that. I need to begin to visualize it happening and to create my own little transporter room at the top of the stairs. I need to feel more relaxed (and get my bood pressure down) and to dream and scheme and roll around the attic of my brain. I need to be fearless.

I have been a so-called orphan now for over twelve years nearly and let’s face it, abandoned long ago on that score, most poignantly with the onset of mother’s memory loss. But the panic attacks are gone for the most part; they which once killed me beginning to decades ago. I can still go there but I am not gripped with fear and dread with a bright orange glare in the backs of my eyes. For one writing is a form of relasaction now as opposed to a process of endless siezing up.

And I’m coming up on having a lot to say. About a great many things. At the same time I am well aware of where I can sleep into the kind of mania that could turn my office into a bit of production design for A Beautiful Mind.

Typos happen—I don’t have time or an intern to edit.*
Copyright 2017 Wheel Atelier Inc. All Rights Reserved.
Get your HAUTE ASTROLOGY 2018 Weekly Horoscope ebooks by Starsky + Cox

Capricorn 21° (January 11)

I think the uptick in my spirit has come about from the sense of remembering that no matter what happens, everything will be alright. This applies to many areas of my life and work right now but, just as a for instance, it can be so daunting to crank up the fundraising machinery to ask people for moolah for causes. But fuck it. People will either give or they won’t, whether they be strangers or bestest of friends. Either way I’m not going to chase them in the least but just keep moving through, moving through. Honestly, sometimes the friends are more elusive—fundraising is so not personal. I need to ask for money and people can say No, no problem. What is frustrating is when friends don’t write back to my pleas at all because then the friendship can get twingey and I hate that.

One thing I would want to tell the possible money friends is that we are doing the “movable” fest thing, activating Glow to present artists other places around New England, mostly focusing on museums and colleges as venues, punching the academic aspects of things. I feel that I might tap into Bard world and see what talent lurks.

I also want to say that, this time last year would prove to be challenging. Just as we were putting together the roster of artists, our Provincetown venue of the last five years unexpectedly ended that relationship and we faced the yearly succession of deadlines involved in mounting Afterglow in Provincetown when the very few venues in total have already planned and also booked their own season of performance programming. As if by some divine grace, the director of our original first choice for a venue, the Art House in Provincetown, decided to shorten its summer season by one week to accommodate us, and we were still good to go. However, this new partnership required more funds to be collected much faster in the planning process and it punctuated the point, which we already knew that we need to start our fundraising season sooner. At least we needed to solicit pledges from would-be sponsors sooner than usual. Many potential sponsors have told us, in recent years, that they commit their money earlier that we were asking for it.

It can also be daunting approaching artists. The landscape has changed quite a bit since we first began bringing performing artists to Provincetown, for instance. So many of our artists have gone on to bigger and greater things. But the fact is that most of the Provincetown, if not the New England population (not to mention international travelers to Provincetown), first heard the names of many artists who are becoming well known, because of our work in festival. Names like Bridget Everett, Taylor Mac, Penny Arcade, Justin Vivian Bond, Martha Graham Cracker, Drew Droege, John Early, Erin Markey…and the list goes on and on.

Typos happen—I don’t have time or an intern to edit.*
Copyright 2017 Wheel Atelier Inc. All Rights Reserved.
Get your HAUTE ASTROLOGY 2018 Weekly Horoscope ebooks by Starsky + Cox

Capricorn 20° (January 10)

I fell off the axis again, ever so slightly. Then again, grr, I never take a break. I’m so all or nothing as they say. And I was keeping up such a ridiculous schedule and so forth that I had to basically take to my bed for a week, just doing the minimum, to get through unavoidable commitments and deadlines. As I write this I realize that I’m even hard on myself when I’m pampering myself…no that’s not right, it wasn’t pampering…i mean to instead say: when indulging my exhaustion and not pushing myself…yes, that’s better. 

If anything this tired old boy has got to figure out to not work so hard. Being, for the large part, in the helping-other people biz, I’m used to the giving nature of my enterprise which isn’t, purely “scaleable” as the more type-A kids say. And on top of that I do wear a great many hats. I look very much forward to the day when “all things come together” which I think might be the ongoing outcome of living that life of unfolding I’ve been talking about these last several years. I am sure I’m not the only one to come upon that visualization, but it is a good one. For me, abundance needs to be included in the blooming process. See what I did there?

Anyway today that is what I was visualizing as I pulled my daily Tarot card and of course I got the Ace of Cups, which, visually, take on an overflowing, spilling pattern which is exactly like that which I was tracing with my arms as I pulled the card. All aces are about new beginnings and this one especially points to a promising time. It’s about being filled with spirit and signals fortune which must be met with an attitude of gratitutde. I’ll take all of it!

Typos happen—I don’t have time or an intern to edit.*
Copyright 2017 Wheel Atelier Inc. All Rights Reserved.
Get your HAUTE ASTROLOGY 2018 Weekly Horoscope ebooks by Starsky + Cox

Capricorn 19° (January 9)

Why do I so often come up bits of writing that I remember getting down on paper with the intention of making it so clear to myself only to stare at the paper blankly usually totally unclear as to what it is I wanted to say to myself. Case in point I come up something that I think is championing the notion that we could both be “writer-speakers”, me on my Blague trip and she on her Baroness trip and quite easily do some storytelling.

The “branding of the Blague” if you will is predicated on the notion that things often do seem to sparkle with some kind of stardust that is sprinked on experience, if not punctuating it, and in the extreme causing some major synchronicities. Like the other night for the first time ever in my life I called Stella “Moose” as a pretend would-be nickname (just taking the piss and trying to tease and make her laugh). Then I turned on TCM which was showing “Pillow Talk” in hopes it would make us sleepy. We both closed our eyes while on low volume Rock Hudson was pretending to Tony Randall that the woman he was with was also some kind of beast (she wasn’t, she was Doris Day whom he fancied) and he called her a Moose. We were both like WHAT?

 Anyway I was talking about taking stock of existing monologues and see if we couldn’t Sedaris this shit.

Typos happen—I don’t have time or an intern to edit.*
Copyright 2017 Wheel Atelier Inc. All Rights Reserved.
Get your HAUTE ASTROLOGY 2018 Weekly Horoscope ebooks by Starsky + Cox

Typos happen—I don’t have time or an intern to edit.*
Copyright 2017 Wheel Atelier Inc. All Rights Reserved.
Get your HAUTE ASTROLOGY 2018 Weekly Horoscope ebooks by Starsky + Cox

Capricorn 18° (January 8)

Pisces Woman

Just as Pisces man draws on the fishy archetype of Jesus, Pisces woman is a big Mary. The sign is ruled by Neptune, whose symbol is a trident, originally that of the triple goddess, akin to the Celtic shamrock or the gnostic lily or fleur-de-lis. Biblically, there are three Marys—the mother Mary, the virgin (sacred harlot) Mary Magdalene and that elusive, etheric one who seems to pop in and out only at crucial moments, like the crucifixion and resurrection. Taken together, she is the great goddess in triplicate, akin to to the Great Goddess of the Sea, Aphrodite, curiously also called Mari. Mary’s della robbia blue gown fringed in white is the sea fringed with foam, that primordial mutable-water Piscean froth from whence Aphrodite emerged. Indeed the two Pisces “Fish” of the zodiac are the totems of Aphrodite and her son Eros. Eros is love, Jesus is love. And just as Pisces man’s sexuality can put the ishy in fishy, Pisces woman tends to take up with guys who are a bit light in their loaves and fishes, if not as lovers than as platonic soul mates. We often cite Tennessee William’s Blanche du Bois, an incarnation of the medieval Blanchefleur (who rocks that fleur-de-lis) as the modern emblem of the Pisces woman. She is forever remerging from her bath, creating Neptunian enchantment, reeling from her Belle Reve and looking to share a cherry pop with some pretty young thing barely out of short pants. Likewise, the personality of the female Pisces, the Everywoman of the zodiac, runs the gamut from fantastical diva to tragic dame-on-the-verge, from sacred lover to sacrificial killer. And for this, and so many other reasons, we are enraptured by the likes of Nina Simone, Elizabeth Taylor, Kathy Ireland, Sharon Stone, Tammy Faye Baker, Tamar Braxton, Glenn Close, , Christine Ebersole, Laura Pepon, Chelsea Handler, Patsy Kensit, Theresa Russell, Rue MacClanahan, Eryka Badu, Liza Minelli, Elis Regina, Nancy Wilson, Edna St. Vincent Millay, Anaïs Nin, Patty Hearst, Bernadette Peters, Tyne Daly, Lynn Redgrave, Anna Magnani, Rihanna, Ursula Andres, Queen Latifah, Irene Cara, Isabelle Huppert, Eva Mendes, Eva Longoria, Eva Herzigova, Meow Meow, Drew Barrymore, Dakota Fanning, Rashida Jones, Bernadette Peters, Connie Britton, Dana Delany, Vanessa Williams, Kristin Davis, Jennifer Love Hewitt, Julie Walters, Sandy Duncan, Juliette Binoche, Sharon Stone, Ellen Page, Emily Blunt, Veronica Webb and Sophie Turner.

In a cartoon echo of the seemingly perfect Pisces woman archetype, to which Blanche du Bois pretends in low light, smoke and mirrors, Penelope Pitstop might be considered a modern figurative incarnation of this most profound of water signs, another echoing of the eternally sought-after but insouciant goddess of love, Aphrodite. Both Blanche and Penelope would have you believe she is the ideal woman, pure in thought and deed—a proclivity that is also particular to the Pisces woman, who may be loath to admit she can be as much a pit stop as she is, at least, a pretense of a prude. But that’s the Pisces paradox. She’s at once rarified and raunchy. Think of that other, golden girl Blanche character that a Pisces actress embodied so brilliantly on TV. Blanche—white—pure as the driven snow. Or is that snow incessantly plowed? It’s this very combination of personality traits that makes Pisces woman the most dramatic of creatures and, if we may say so, a most beloved character by the queer if not general population. She is all about sexuality and spirituality, the gutter and the stars, those opposite facing Fish of her sign pointing upward toward heaven and downward into the very depths of earthly delight. In French the world for that pure white creamy sea foam is écume which one and the same for the word scum or, as the myth of her birth from the god Uranus suggests, the same word minus the s. So let’s hear it once again for the Pisces diva, as sometimes tragic and utterly triumphant as a lady can be!

Pisces woman is tougher than she imagines.

Typos happen—I don’t have time or an intern to edit.*
Copyright 2017 Wheel Atelier Inc. All Rights Reserved.
Get your HAUTE ASTROLOGY 2018 Weekly Horoscope ebooks by Starsky + Cox

Capricorn 17° (January 7)

Pisces Man

Just as the sign of Aquarius, the Waterbearer, ushers us into Pisces, so too does the Aquarian archetype of John the Baptist, the Waterbearer, prepare (ye) the way for Pisces archetype, Jesus, the quintessential Fish. Aquarius represents revelation, glimpses of the future, truth and potential joy—men of the sign being notoriously lost in their visions—whilst Pisces man, in perpetual Jesus mode, represents a sustained drifting, like one in a lucid dream, personifying the perennial state of Nirvana, the “true reality” lodged beyond the veil of illusion which characterizes our material life in the visible, tangible world. That old chestnut. In Sextrology, the Pisces Man chapter is indeed entitled The Drifter. More than any other individual, Pisces treats existence as one big womb of potentiality in which he floats toward desired goals without the efforting or struggle that most of us exhibit. His life is one long process of incubation whereby his goal is to remain peaceful, if not pacified by others, most notably, strong-willed partners or lovers, who help pilot his life while cleaving to him as some sort of life saver, spiritual or otherwise. The metaphor of Jesus walking on water illustrates Pisces’ ability to be buoyed by his belief that the universe provides the perfect unfolding of his destiny. There is thus no need to stress. Life goes on equally within and without you. At least that seems to be the message of flow personified by the vibrationally itinerant Pisces male. Here: a list of pretty, Jesus-y and, some, messiah-complexed drifters: Jack Kerouac, George Harrison, Jake Bugg, Peter Fonda, James Taylor, Kurt Cobain, Roger Daltry, Emile Hirsch, Peter Berg, Jon Bon Jovi, Victor Garber, Ricky Wilson, Common, Johnny Cash, Johnny Knoxville, James Blunt, Matthew Gray Gubler, Ja Rule, Micky Dolenz, Rudolf Nureyev, Vaslav Nijinsky, Lou Reed and, ugh, L. Ron Hubbard.

In truth, you Pisces men fall into two categories, George Harrisons or Rex Harrisons, though sometimes the twain shall meet in fastidious activists like Harry Belafonte or Ralph Nader. Pisces, the mutable-water sign (think fog and mists, elements of illusion and enchantment) is ruled by Neptune, the planet of fantasy, magic, imagination, delusion and dissolution. As such, Pisces men are endowed with the power to fully inhabit their fantasy selves, dissolving from their make-up any traits, or, from their story, any truths that run counter to their romanticized vision of self. The sign of Pisces thus boasts a host of Peter Perfects—in counterpart to Pisces women embodying Penelope Pitstop—fancy fussbudgets whose often rough and humble origins bely their aristocratic airs and high-brow raison d’êtres. The lock-jawed George Plimpton, David Niven, Tony Randall, Jim Backus, Rex Harrison, Peter Graves, Rob Lowe, Mitt Romney, Pierce Brosnan, Kyle Maclachlan, Kelsey Grammar, French Stewart, Ron Howard and others you would never label a bad boy: John Barrowman, James Van Der Beek, Bret Easton Ellis, Robert Sean Leonard, Tim Daly, Chris Martin, Freddie Prinze, Jr., Chris Klein, Barry Bostwick, Michael Bolton, Josh Groban, the Ken doll “Ken Carson”, Mr. (Fred) Rogers and Anthony Daniels, (Star Wars’ c3p0) all seem programmed for proper protocol, on screen and off. Ironically, Pisces little-Lord-Fauntleroys often go for ribald love objects with a blatant sexuality, while Pisces’ signature priggish airs can make their own seem indeterminate.

And here, a subject we touched upon in Sextrology: Although there is no “reason” we can cite that would make this theory true, the empirical evidence suggests that, over the last century especially, more African American Pisces men have “broken through” the racial barrier, even at times in our regretful history when doing so would seem impossible. Perhaps it has something to do with Pisces’ power of Belief; or it’s due the Neptunian cosmic energy of dissolution, liquefying said barriers, as befits this mutable-water sign; or it’s chalked up to the archetypal energy of men of the sign who embody a compassionate, pacifistic Christ-like nature and a super-natural nobility of spirit. (It would be all of the above) And, while there is no real way to know; we shall simply let the following list of Pisces men illustrate the point: Frederick Douglass, Garret Morgan, William H. Johnson, Harry Belafonte, Sidney Poitier, Nat King Cole, Ralph Elison, Fats Domino, Smokey Robinson, Quincy Jones, Charley Pride, Al Jarreau, Wilson Pickett, Marion Barry, Emmanuel Lewis, Spike Lee, Charles Barkley, Terence Trent D’Arby, D.L. Hughley, Seal, Shaquille O’Neal, Stedman Graham, Terrence Howard, Lester Holt, Common, John Boyega.

Typos happen—I don’t have time or an intern to edit.*
Copyright 2017 Wheel Atelier Inc. All Rights Reserved.
Get your HAUTE ASTROLOGY 2018 Weekly Horoscope ebooks by Starsky + Cox